by Stephanie Black
On Saturday while I was sitting in the car waiting for my daughter, I finished draft three of the book currently known as Rearview Mirror. Side note: I love writing when I’m in the car waiting for a kid. It tends to be productive time, because there’s no Internet to distract me. No email. No blogs. And on this particular day, taking my daughter to her meeting was a special bonus, because if I’d been at home, I would have been helping my husband finish our project of getting the garage ready for the termite guys to come treat it. Our garage was a trash pit from heck—the inspector’s initial report said something along the lines of how he couldn’t inspect the garage because it had a lot of storage. Ha. Very tactful. That’s like saying a slab of rotting meat has lots of vibrant life forms. Technically, it’s true, but it doesn’t hint at the scope of the disgustingness involved. So needless to say, I wasn’t at all sorry to bail out on the garage project and go sit peacefully in the car, working on my book.
With draft three done, it became time for . . . yeeks! . . . test reads. This is my current modus operandi: go through two drafts, then print out the second draft and read it to see how it works. Do a third draft, then send it out to test readers. Get their feedback, do a 4th draft, then send it to my editor. With this system, no eyeballs but mine see the book until draft three, so getting that very first feedback is a BIG moment of truth. What will the readers say? WILL THEY LIKE IT?
Here’s the list of questions I sent to my test readers:
Opening: Did the opening grip you and hold your interest? Did you want to continue reading? Or did it take you a while to get interested in the story?
Pacing: Did the story move at a good pace? Were there spots where you found yourself getting bored or where you felt the story was dragging? Did suspense build throughout the story? Did scene and chapter endings make you want to keep reading?
Clarity: Was everything clear, both in the backstory (events that happened before the novel opens) and the current story? Were there spots where you got confused?
Characterization: Were the characters believable? Did they think and act and react like real people? Did the dialogue sound realistic and appropriate to the character speaking? Did character motivations make sense, at least to the character? Did you like the main character? Were you rooting for her?
Mystery: Were the mystery elements of the book effective in raising questions in your mind as you read and in building suspense? Did you wonder who the villain was and consider various suspects, or did his/her identity seem obvious from the beginning?
Resolution: Were you satisfied with the ending? Were there any questions you felt were left hanging?
The good news is I’ve heard back from two of my test readers, and . . . and . . . they liked it! Hooray! I’m thrilled! Their feedback is super helpful, both in letting me know that overall, the story works, and in pointing out places where the manuscript could be stronger. I’m excited to work on the issues they spotted—for instance, a character action that doesn’t seem quite credible, a character who’s a bit flat, redundancy, and so on. Oh and there was that red herring I completely forgot about—never did resolve the deal with that. Oops. Thank heavens for test readers. Since every reader notices different things, I’ll likely have additional issues to address once I hear back from my other readers. There is no way I would ever consider submitting a manuscript without having test readers look it over. It’s impossible for me to notice every problem with the manuscript, no matter how many times I go through it. The fresh perspective that test readers bring to my work is vital.
To all the writers out there, at what point do you seek feedback on your manuscript? Chapter by chapter? First drafts? Second, third, or later?
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